Vaccarello’s color palette was gloriously toned down but definitive, drawn from Polaroid-photographed garments of YSL accessories in the past: soft browns, purples, camels, olives and browns, their hues enhanced by cuffs or a style adorned with substantial jewels. Claude Lalanne. . There were hardly any sandals and satin shoes with high vamps and shimmering metallic hues. It all came together to create a look that was finished, polished, thoughtful and, it’s time to bring that word back, clearly, done: a response to the idea that everything is dragging us down an inexorable slide into a bland, boring social style. , uniform and social. – Exaggerated coldness in the media.