Demonstrating the pith of constructing garments whereas showing what they really are and at constant time conjury fanciful scenes from a designer’s mind could be a vast achievement. All the terms that John cordial has been speaking regarding stormily for years—“creative process,” “teams,” “themes,” “inspirations,” “techniques”—are suddenly created visible and explicable, delivered to life during this fashion-docu-fantasia of a movie by Nick Knight. No surprise Galliano had said: “This is that the best medium” and “I’m terribly happy to figure this way.”
The glee and therefore the seriousness he puts into his work are palpable throughout—as is the result of the eye-opening participation of the Maison Margiela models on his artistic process. cordial vividly describes the memory of seeing the tango being danced in an exceedingly damaged national capital warehouse. Then he hires a tango teacher, and therefore the performances of the models, the means they move, actively begin to form the clothes. One factor ends up in another, and shortly it’s become a full-ensemble wedding scenario, with bride and groom and guests saltation toward a doomed, underwater destiny. The excited action runs with a mysterious spoken script, written by Kier-La Janisse.